On Saturday John and I headed into central London on the underground. We needed to visit a shop on The Strand so this was our first stop. That job was completed very quickly and we headed back to the station to go to South Kensington. At this point we found out that there were planned engineering works on the Circle and District lines which meant the remaining line heading the way we wanted to go was extremely crowded. As we walked through the station to get to the Piccadilly line we heard Neil Diamond song Sweet Caroline. At the chorus everyone joined it and it dispelled the dread of dealing with the crowds and lightened the mood. We eventually got to our destination, the Victoria and Albert Museum or the V and A. The V and A isn't the only museum in this area, there is also the Natural History Museum and the Science Museum. It's been ages since we last visited these museums so we are planning a visit to both in the near future. The V and A was closing as we arrived but our tickets were for an evening viewing of the exhibition. This exhibition had a lot of textiles, some furniture and jewellery.
There were a lot of dresses on display. The maker of this dress is unknown but it was made between 1760 - 70 and then updated between 1770 and 80. The dress is made of chine silk a fabric Marie Antoinette loved and had many dress made from it in her wardrobe. I'm not sure how comfortable this style of gown would have been to wear
From about 1780 cream silk satin gowns became very popular at Marie Antoinette's court. This next gown is embroidered with multi coloured flowers and embellished with bands of sky blue satin and silk bobbin lace. The gown is in the French style.
English style gowns were less formal and Marie Antoinette has many examples of this style in her wardrobe. Striped silk, like the silk in this dress were very popular between 1770's and 1780's. This gown looked much more comfortable to wear.
The next photo is of a fragment of a court gown from 1780 - 1791. The ivory silk is richly embellished with gilded silver spangles, coloured paste gems, appliqued velvet and precious metal thread embroidery. The gown would have sparkled in candlelight.
This is an embroidered sample for the train of a court dress that a silk merchant would have shown to aristocratic women commissioning new garments. This was very much the taste of the 1790's.
Marie Antoinette's wardrobe was looted during the French Revolution following the storming of the Tuileries Palace in Paris. Only a few fragments of her once dazzling gowns remain. The court gowns were made of the fashionable new silks and trimmings. This gown has simulated ermine tails
There were several fans on display.
Lace was used to add elegance to the designs.
In the 1780's large muffs became fashionable accessories for both men and women. This example is made from embroidered silk
This is one of Marie Antoinette's armchair from a set of 4. The chair was used in her private dressing room during her final summers at the Chateau de Saint Cloud
This Pierrot and petticoat was very fashionable in the 1780's and 90's I loved this next gown. This is Empress Eugenie's evening bodice with replica skirt. The waist of this dress is tiny!
The last part of the exhibition, had dresses for fancy dress events where people went as Marie Antoinette. Immediately after she was executed the population was shocked at all the spending and over indulgence but as time went by people wanted to dress as Marie Antoinette. There were a lot of dresses in this room so here are a few photos.
This last gown was designed by Vivienne Westwood.
The exhibition was very good and enjoyable. By this time the crowds had gone home and travel back home was much easier.
I hope you have enjoyed seeing some of the photos. To protect the textiles the light was rather dim, so I'm apologising for the darkness.
Take care
Lyndsey